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  • In response to numerous requests, we are offering five early LPs as high quality CD-Rs to owners of the original albums. Temple Music does not own the copyright to these albums and the fee you pay is for the transcription only, not for the content. The 5 albums offered in this series took 17 days to process from 34 un-played LPs in Jon Hiseman's archive. Over £30,000 worth of equipment was used in the process. The result is a listening experience as close to the original session masters as possible without access to the original tapes. No booklet is included with these CD-Rs. Basic artist/performer/title info is printed on the disc.
  • Rhinestone saxophone brooch with concert programme from the Barbara Thompson Memorial Concert. To commemorate Barbara, her remarkable legacy and this historic night at the Union Chapel. Limited numbers remain.

  • “I consider this Paraphernalia video to be an important part of our legacy – there’s something really special about everyone’s contribution.”

    Jon Hiseman, from the 2010 book ‘Playing The Band’ by Martyn Hanson, published by Temple Music

    FIRST SET

    1. Close to the Edge 2. Are You Real 3. Smokey Embrace 4. On the Wings of a Prayer 5. Still Waters 6. Life in the Fast Lane

    SECOND SET

    7. Breathless 8. Son of a Gun 9. Shifting Sands Encores 10. Nightwatch 11. Kafferinya
  • Out of stock

    Specially produced by Jazz In Britain in partnership with Cure Parkinson’s and Temple Music with all net profits being donated to Cure Parkinson’s. 'First Light' will be released on 2nd June, the day of the memorial concert being held for Barbara Thompson at the Union Chapel in Islington, London. The disc will be launched at the concert, but is available to pre-order for those unable to attend the gig.

    Presented in a replica gatefold card sleeve, the album features three recently discovered, previously un-released, early seventies Barbara Thompson sessions. The earliest session from 1971 features the first ever appearance of Group E and may be one of the very few times that Barbara played with Blue Notes bassist Johnny Dyani. The second session is also interesting in that it’s a fairly big, 12-piece, band including some very famous name soloists and consists of a three-part suite called The Awakening. Featured soloists are Barbara, Don Rendell, Henry Lowther (on violin) and Barbara’s husband Jon Hiseman. The third session is a very early version of the band Jubiaba, recorded nearly 6 years before their first album was released, and again features a superb group of musicians including Trevor Tomkins and Ian Carr.
    All international orders will be shipped by our EU-based partner; this means that EU orders will stay within the Single Market - therefore no Customs import charges for EU customers.
    Jazz In Britain was very fortunate recently to receive a large collection of reel tapes and discover three early seventies Barbara Thompson sessions amongst it, sessions that we don’t believe have been circulated before. We proposed to Barbara’s daughter Ana Gracey that we produce an album using these three sessions as a way of raising extra money for Cure Parkinson’s. The audio fidelity of these sessions reflects the fact that they were recorded on a very low speed tape machine but they presented a wonderful opportunity to create something special to raise funds for the Parkinson’s charity. They’re very interesting sessions nonetheless and well worth hearing. The earliest session from 1971 features the first ever appearance of Group E and may be one of the very few times that Barbara played with Blue Notes bassist Johnny Dyani. The second session is also interesting in that it’s a fairly big, 12-piece, band including some very famous name soloists and consists of a three-part suite called The Awakening. Featured soloists are Barbara, Don Rendell, Henry Lowther (on violin) and Barbara’s husband Jon Hiseman. The third session is a very early version of the band Jubiaba, recorded nearly 6 years before their first album was released, and again features a superb group of musicians including Trevor Tomkins and Ian Carr. Fans will not only be getting some very interesting music but, at the same time, making a donation to the charity which is doing crucial work on the disease from which Barbara Thompson suffered for many years.
  • In response to numerous requests, we are offering five early LPs as high quality CD-Rs to owners of the original albums. Temple Music does not own the copyright to these albums and the fee you pay is for the transcription only, not for the content. The 5 albums offered in this series took 17 days to process from 34 un-played LPs in Jon Hiseman's archive. Over £30,000 worth of equipment was used in the process. The result is a listening experience as close to the original session masters as possible without access to the original tapes. No booklet is included with these CD-Rs. Basic artist/performer/title info is printed on the disc.
  • The autobiographical story of her musical life...

    Publisher: Jazz in Britain

    “I know it's all true, I even know (or knew) many of the people, including the two principal characters, but one thing above all makes this story real to me: I can hear Barbara's voice telling it.”

    Dave Gelly MBE, April 2020
  • Sale!
    This double CD is the first Colosseum work to feature Barbara Thompson after Dick passed away. It contains songs from both the then recent studio albums, Bread & Circuses and Tomorrow’s Blues. However, the title of the album makes a firm connection with their classic live album Colosseum Live from 1971. The review from Prog Archives was full of praise and enthusiasm: ‘It is simply thrilling! ‘The Valentyne Suite’ as an example here. It starts in a classic way, with a motive run by organ supported with a saxophone. However, the bass line is run in a different way and it indicates certain surprises. The piano and saxophone duo is wonderful mainly thanks to the reliable Barbara, who then shows her skills in a beautiful, sober solo part, followed by a dynamic solo part from Dave on Hammond organ. The second part starts in a sweet and melancholic way. The vocals of Mark Clarke [are] a masterpiece, and then another saxophone solo entrance.’ Barbara really adds something to ‘February’s Valentyne’ with her contribution.' The album was recorded in 2005 and released in 2007 and we are offering limited copies here at a specially discounted price.
  • In response to numerous requests, we are offering five early LPs as high quality CD-Rs to owners of the original albums. Temple Music does not own the copyright to these albums and the fee you pay is for the transcription only, not for the content. The 5 albums offered in this series took 17 days to process from 34 un-played LPs in Jon Hiseman's archive. Over £30,000 worth of equipment was used in the process. The result is a listening experience as close to the original session masters as possible without access to the original tapes. No booklet is included with these CD-Rs. Basic artist/performer/title info is printed on the disc.
  • Barbara Thompson's Paraphernalia with NYJO - OUT NOW!
    Seminal British jazz-rock band Barbara Thompson’s Paraphernalia join forces with the National Youth Jazz Orchestra (NYJO) for a new studio album featuring 10 original compositions from the virtuoso saxophonist, composer and bandleader Barbara Thompson MBE. The line-up includes the remaining able members of Paraphernalia – Pete Lemer on keyboards, Billy Thompson on violin, and Dave ‘Taif’ Ball on bass – who join forces with 17 phenomenal players from the National Youth Jazz Orchestra. “What a lovingly constructed recording. A great tribute to one of the finest drummers ever by one of the best sax players ever – and her family. It matters not a jot that Barbara doesn’t actually play on the album because her creativity runs through the music which is a fitting tribute to two musicians who contributed so valuably to Jazz in general.”
    Mark Ringwood, Radio Broadcaster
  • In response to numerous requests, we are offering five early LPs as high quality CD-Rs to owners of the original albums. Temple Music does not own the copyright to these albums and the fee you pay is for the transcription only, not for the content. The 5 albums offered in this series took 17 days to process from 34 un-played LPs in Jon Hiseman's archive. Over £30,000 worth of equipment was used in the process. The result is a listening experience as close to the original session masters as possible without access to the original tapes. No booklet is included with these CD-Rs. Basic artist/performer/title info is printed on the disc.

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